Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art .

Painting, sculpture and architecture are finished, but the art habit continues.

Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.

Nature is never finished.

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.