Not everybody fantasizes about robbing a bank, but I think most people have that fantasy of being in a high speed chase.

Comics have years to explain this stuff, and in a movie, you have to focus on one thing. So it's about kind of streamlining, I think. Some of the most successful origin films actually have a narrower focus.

I think you write the film that you want to see, and you try and do it honestly, and you can't control people's responses, really.

'Don't Look Now' is a masterpiece. I think it's the best-edited movie of all time. I adore it.

I think, 'Scott Pilgrim,' it was something where the general audience didn't necessarily understand straight away what it was.

I think it's good to have pressure on yourself. The worst crime is to get kind of really complacent.