My forms are geometric, but they don't interact in a geometric sense. They're just forms that exist everywhere, even if you don't see them.

All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist.

I'm interested in the space between the viewer and the surface of the painting - the forms and the way they work in their surroundings. I'm interested in how they react to a room.

When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything.

I just feel like I can live on. I hope I can reach 100. I think today if you just keep doing, keep working, that - maybe that's possible.

Shading is more like copying. And certainly I do copy, but I'm making drawings, and I'm not trying to make them with the shading.