My feeling is that while we are constructing a show you need not be a boxing fan to enjoy, it will reintroduce millions of people to boxing,

Antonio is very focused, very well-prepared, he has thought about it a lot, read about it a lot. And he is a very agreeable sort of guy to work with.

Well, I storyboard the films from every shot and from every angle. I specify to the cameraman where the camera should be and what lens he should use and then I work out all the moves for the actors. Of course this can change, but I would have to say that 95% of the time the film is done exactly the way I have storyboarded it.

I think casting is important because if you get the right actors cast then you appear to be a much better director than you are because then it goes very smoothly. But if you make a mistake in the casting and you want a performance that is somewhat different to what they want to do, it's going to be very difficult.

There are some good writer/directors in the U.S. as well. In general the writing and directing tend to be separated but I bet that most of the directors have a big effect on the scripts. These days the studios tend to bring in hordes of writers.

I have written a lot of films that didn't get made for one reason or another and I have one called The Women in Black that I hope will get made next year. And there were others that got made that I wrote under different names, I always think that better directors write the scripts because if you can't write, and you don't have anything to say, then what's the point of making films?