Music and dance. What I have written must surely suggest a people cursed by Heaven,... No people on earth, I am persuaded, loves music so well, nor dance, nor oratory, though the music falls strangely on my ears... More than once I have been at Mr. Treacy's when at close of dinner, some traveling harper would be called in, blind as often as not, his fingernails kept long and the mysteries of his art hidden in their horny ridges. The music would come to us with the sadness of a lost world, each note a messenger sent wandering among the Waterford goblets. Riding home late at night, past tavern or alehouse, I would hear harps and violins, thudding feet rising to a frenzy. I have seen them dancing at evening on fairdays, in meadows decreed by custom for such purposes, their bodies swift-moving, and their faces impassive but bright-eyed, intent. I have watched them in silence, reins held loosely in my hand, and have marveled at the stillness of my own body, my shoulders rigid and heavy.

There came to the beach a poor Exile of Erin, The dew on his thin robe was heavy and chill; For his country he sigh'd, when at twilight repairing. To wander along by the wind-beaten hill. But the day star attracted his eyes' sad devotion, For it rose o'er his own native isle of the ocean, Where once in the fire of his youthful emotion He sang the bold anthem of Erin-go-bragh.

The tourists had money and we needed it; they only asked in return to be lied to and deceived and told that single most important thing, that they were safe, that their sense of security—national, individual, spiritual—wasn’t a bad joke being played on them by a bored and capricious destiny. To be told that there was no connection between then and now, that they didn't need to wear a black armband or have a bad conscience about their power and their wealth and everybody else’s lack of it; to feel rotten that no-one could or would explain why the wealth of a few seemed so curiously dependent on the misery of the many. We kindly pretended that it was about buying and selling chairs, about them asking questions about price and heritage, and us replying in like manner.

But it wasn’t about price and heritage, it wasn’t about that at all.

The tourists had insistent, unspoken questions and we just had to answer as best we could, with forged furniture. They were really asking, 'Are we safe?' and we were really replying, 'No, but a barricade of useless goods may help block the view.' And because hubris is not just an ancient Greek word but a human sense so deep-seated we might better regard it as an unerring instinct, they were also wanting to know, 'If it is our fault, then will we suffer?' and we were really replying, 'Yes, and slowly, but a fake chair may make us both feel better about it.

Though the last glimpse of Erin with sorrow I see,
Yet wherever thou art shall seem Erin to me;
In exile thy bosom shall still be my home,
And thine eyes make my climate wherever we roam.

People think we are such great talkers, but there is so much silence in Ireland about certain issues.

The image of Ireland is projected as a male image in the acting world, similar to the way that the word of Ireland is male dominated.