Munich.

No one is going to think going into this movie that they are going to come out loving Frankenstein, and not in a cheap of cheesy way at all - he's really an angry, vicious guy - a beast. But when you think of the originals, they were scary melodramas. The characters were so deep. I always felt as badly for Frankenstein as I did for his victims because, like Lenny in Steinbeck's 'Mice and Men,' he's a man-child. I've always found that fascinating.

Everybody knows that you can't see Dracula's reflection in a mirror, but nobody has ever asked, 'Why?' That's a good question and I answer it. I also thought, 'You know, Dracula is like the father of all vampires and you can kill vampires with a stake in the heart. But Dracula has to be more complicated than that. No one knows how to kill Dracula'.

I love all of mythology and rules pertaining to all of the monsters, but I like to go the extra step.

The best scary movies have great humor in them and a great story.

And do not suppose that this is the end. This is only the beginning of the reckoning. This is only the first sip, the first foretaste of a bitter cup which will be proffered to us year by year unless by a supreme recovery of moral health and martial vigour, we arise again and take our stand for freedom as in the olden time.