Maybe we all have imposter syndrome and perpetually feel like our real life is right around the corner,

I like to buy a new fragrance for each film. I'll go out in the city where I'm filming and snap it up. The one I have for 'Into the Woods' is Terry de Gunzburg Flagrant Delice, which I bought in London.

'Rocket Science' is really where I fell in love with filmmaking, I think 'Camp' was incredible, but it was so bizarre, and I was trying to find my footing in this world where you don't have an audience for immediate validation.

When you have no money in New York, you're living in a shoebox, and it's freezing. When you have no money in L.A., you're living in a slightly larger shoebox, and you can go outside and feel okay about your life for a minute.

Voiceover excited me and terrified me. I thought I was going to be really bad at it. It was so freeing and fun to not have to wait for 10 minutes between every setup. They just throw you a direction, and you just say it.

I think I'm trouble-adjacent. I remember hearing once that good girls don't get caught. I think that's sort of a lot of what my teen years were like. I skirted the stuff that other kids were doing because the idea of actually getting in trouble was not appealing to me, but I still wanted to have adventures.