Maybe it's egocentric or whatever, but when I'm playing Beethoven, Bach, Hendrix, or whoever it is, in the end, it just feels like my own music and I'm making it up as I'm going along.

Maybe it's egocentric or whatever, but when I'm playing Beethoven, Bach, Hendrix, or whoever it is, in the end, it just feels like my own music and I'm making it up as I'm going along.

Even if you're playing Brahms or a Beethoven concerto, you've got to have a different vantage point, slightly, each time.

No, I'm not leaving the electric violin to Vanessa Mae. I'm still playing quite a lot of electric stuff. But only when there is a need for it. I like rocking out. And the electric violin is useful for many other things. It's useful for really good effects and it's also great for rocking out, with the drums and the bass, get into really heavy stuff. At the moment I'm not really doing any projects involving that thing.

I think Bach is equally a romantic composer because he laid the seeds harmonically for people like Chopin and the great Romantics, Brahms, so it's difficult to you know all this like labelling and putting - I think Bach is attractive to musicians because he supersedes the labels.

If you're playing within your capability, what's the point? If you're not pushing your own technique to its own limits with the risk that it might just crumble at any moment, then you're not really doing your job.