Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.

There's a process in the movie industry in both live action and animation called development hell!

Connolly was a realist, Pearse the direct opposite, ... through hell had such action been necessary. But I honestly doubt very much if I would have followed Pearse not without some thought anyway.

Why the hell don'tcha, instead of keep saying it?

Live action movies are someone else's story. With animation, audiences can't think that. Their guards are down.

Animation is awesome because there's a really bold type of comedy you can get away with that you couldn't get away with in live action: a broader, campier style.