Little events, ordinary things, smashed and reconstituted. Suddenly, they become the bleached bones of a story.

I think people ease into this careerist professionalism, so if you're a writer it's your job to manufacture books as opposed to writing them and to go to festivals and spend your life emotionally invested in reviews or the awards. You have to shrink your universe in a way. To me, it's the opposite.

I'm living to the edges of my fingernails, using everything I have. It's impossible for me to look at things politically or in any way as a project, to further my career. You're injected directly into the blood of the places in which you're living and what's going on there.

Democracy no longer means what it was meant to. It has been taken back into the workshop. Each of its institutions has been hollowed out, and it has been returned to us as a vehicle for the free market, of the corporations. For the corporations, by the corporations.

The Occupy movement found places where people who were feeling that anger could come and share it - and that is, as we all know, extremely important in any political movement. The Occupy sites became a way you could gauge the levels of anger and discontent.

I think the kind of landscape that you grew up in, it lives with you. I don't think it's true of people who've grown up in cities so much; you may love a building, but I don't think that you can love it in the way that you love a tree or a river or the colour of the earth; it's a different kind of love.