Like the rest of Holy Week, Easter is also a terrific story. It starts as tragedy: the hero broken and bloody, against all expectation dead, his followers' joyful hope in him entombed with his corpse, the rock rolled into place, sealing their despair.

But the curtain doesn't fall there. The next morning at dawn they discover the rock has been rolled back. The tomb is empty, the body's gone! A missing corpse? Great stuff. A whisper of comedy. Now a touch of farce as Mary Magdalen and the guys chase frantically around looking for help, or the corpse, when suddenly, out of nowhere, up it pops—alive!

Of course it's Jesus, who's done the impossible and beaten death.

And they're so amazed they think he's the gardener! It's a payoff way beyond the Hollywood ending: all the flooding emotion and uplift of a tragedy followed by all the bubbling joy and optimism of a comedy.

Is that possible? Not just to live happily ever after but to die—and still live happily ever after? It's the most audacious claim of Christianity, the one element that marks the brand indelibly, that trumps the claims of all other major faiths.

The Offices rerooted me in a tradition where, monk or not, I would always be at home. From long ago I knew the power of their repetition, the incantatory force of the Psalms. But they had an added power now. As a kid, the psalmist (or psalmists) had seemed remote to me, the Psalms long prayers which sometimes rose to great poetry but often had simply to be endured. For a middle-aged man, the psalmists' moods and feelings came alive. One of the voices sounded a lot like a modern New Yorker, me or people I knew: a manic-depressive type A personality sometimes up, more often down, sometimes resigned, more often pissed off, railing about his sneaky enemies and feckless friends, always bitching to the Lord about the rotten hand he'd been dealt. That good old changelessness.

The spiritual muscles I hadn't used for decades began to acquire some tone, and since they were Catholic muscles too, it was natural to look for a church to work out in.

It was hard. Appalling though the predations exacted on the monastic liturgy were, they were nothing compared to the desecration exacted on the secular. Latin was gone entirely, replaced by dull, oppressive, anchorman English, slavishly translated from its sonorous source to be as plain and "direct" as possible. It didn't seem to have occurred to the well-meaning vandals who'd thrown out baby, bath, and bathwater that all ritual is a reaching out to the unknowable and can be accomplished only by the noncognitive: evocation, allusion, metaphor, incantation—the tools of the poet.

People referred to the symbolism of the empty Cross more than once on its journey. It would seem obviously to point to our faith in Jesus’ resurrection. It’s not quite so simple though. The Cross is bare, but in and of itself the empty Cross does not point directly to the Resurrection. It says only that the body of Jesus was removed from the Cross. If a crucifix is a symbol of Good Friday, then it is the image of the empty tomb that speaks more directly of Easter and resurrection. The empty Cross is a symbol of Holy Saturday. It’s an indicator of the reality of Jesus’ death, of His sharing in our mortal coil. At the same time, the empty Cross is an implicit sign of impending resurrection, and it tells us that the Cross is not only a symbol of hatred, violence and inhumanity: it says that the Cross is about something more.

The empty Cross also tells us not to jump too quickly to resurrection, as if the Resurrection were a trump card that somehow absolves us from suffering. The Resurrection is not a divine ‘get-out-of-jail free’ card that immunises people from pain, suffering or death. To jump too quickly to the Resurrection runs the risk of trivialising people’s pain and seemingly mapping out a way through suffering that reduces the reality of having to live in pain and endure it at times. For people grieving, introducing the message of the Resurrection too quickly cheapens or nullifies their sense of loss. The empty Cross reminds us that we cannot avoid suffering and death. At the same time, the empty Cross tells us that, because of Jesus’ death, the meaning of pain, suffering and our own death has changed, that these are not all-crushing or definitive. The empty Cross says that the way through to resurrection must always break in from without as something new, that it cannot be taken hold of in advance of suffering or seized as a panacea to pain. In other words, the empty Cross is a sign of hope. It tells us that the new life of God surprises us, comes at a moment we cannot expect, and reminds us that experiences of pain, grief and dying are suffused with the presence of Christ, the One Who was crucified and is now risen.

Christ must be born from every soul, formed in every life. If we had a picture of Our Lady's personality we might be dazzled into thinking that only one sort of person could form Christ in himself, and we should miss the meaning of our own being.

Nothing but things essential for us are revealed to us about the Mother of God: the fact that she was wed to the Holy Spirit and bore Christ into the world.

Our crowning joy is that she did this as a lay person and through the ordinary daily life that we all live; through natural love made supernatural, as the water at Cana was, at her request, turned into wine.

Easter is God throwing everything at death so that I can give everything to life.