Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.

Bill Sienkiewicz

Bill Sienkiewicz

Being Bright Directed Everything Evident Film Flat Godfather Gray James Lighting Like Lit Look Minimal Movie Opposed Pin Something Where You

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You're telling the story, creating the sets, doing the lighting, the designing, and establishing the pace.

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One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much.

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People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to.

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Nothing is really media driven or committee driven, so you can actually just produce something.

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So there's kind of a simultaneous aspect to pushing the boundaries, and being very safe.

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