Jon produced it. He did a very nice job, actually, ... Fly Me To The Moon.

I try to always be there for him, as a friend, and from a musical level. Like I said, I want to make sure, if I can help Jon to be in a great mood, as much as possible, I’m gonna do it. And that’s been a part of what I put on myself for responsibility, and for the guys too. That’s part of my gig. And it started to fall apart a little bit when I was broken. And I couldn’t do it, I couldn’t fulfill that responsibility. And that’s when they started to realize they had to pick me up.

At the end of the day, if you're going to buy a can of Coke, you want the real thing.

Music is my life. I brush my teeth with rock and roll!

When we were broke, around 1985, it was cool. We were all living in the same apartment in Philadelphia, sleeping on the floor when it was 12 below zero outside, the heating wasn't working well, and there wasn't a lot of food in the refrigerator. Even then, we never stopped having fun. That's the kind of thing that bonds you, high points, low points, everything. I never, ever thought that Jon wasn't there for me. And vice versa. That's what makes a great band, I think.

It was Jon’s birthday. And after you know somebody for 25 years it’s hard to get’em something unique. Both of us are huge Bob Dylan fans and respect Bob as a writer. So I called Bob and asked: Would you do me a favour and would you sign this guitar for Jon Bon Jovi. So I sent him the guitar and Bob fell in love with it and calls me, he goes: Ain’t giving it back! So I had to go find another guitar for Jon, and Bob signed it with: To Jon, Happy Birthday, Keep livin’ on a prayer, Love Bob Dylan.