I've tried everything and I'm not sure what the problem is. I've even tried where I don't even use the number three. I just say, 'OK, we're starting the fourth quarter.' I've got to try to take a look at that, even talking to other coaches. There's got to be some kind of method to this.

This is not a theoretical problem.

I am not sure why it was a big problem, but obviously it was because he has to get his touches, especially late in the game.

The calls came flooding in. It's not something that we went down and tried to develop.

We can use electronic instruments like synthesizers and sequencers and things like that. I'm not sure this is what's going to happen, but the last time we were in the studio, like months ago now, we were fooling around with an MPC groove box and some keyboards. We were only in there a few days but we came up with a few things that were very promising. They were the type of thing that two people could perform, maybe three. I love working with a big band, and if there's any way we could do it, that's what I would do, [but] the music business is so crazy right now.

The lie wasn't bad, it was the stance that was not real good, ... I tried to stay real still and hit a good, solid shot and get right of the hole and give me a putt at it, at least have a chance. And it came out perfect.