It's a great honor. There are really three people who deserve to get this prize. And they are the three people who lived through this.

The starting point was to tell (about) these three people, not to tell the general political situation. All the images you see -- it's hard to know whether it's deliberate or not, they sort of dehumanize the people there, you don't have any sense of what they're like.

When you start being enthusiastic about whatever it is you like, that is the golden age for you.

If you do a story about a British journalist rescuing a child from Sarajevo, then Sarajevo just becomes an exotic location, and the story's about this British journalist.

The film tries to tell their story. We are trying to show what happened to them from their point of view. They are normal people simply caught up in events.

The greatest honor we can do them is to remember them,