It's a commemoration ... and there's a lot to commemorate. We built a city that can stand up to any city in the world. There's nowhere like San Francisco. You can be anyone in the world and feel like you fit in here.

We're appalled. This city is built on tourism, and we're their last priority.

Were appalled. This city is built on tourism, and were their last priority.

We’re appalled, ... This city is built on tourism, and we’re their last priority.

We are here to commemorate the fascists who died,

If I could sum up my poetry in a few well-chosen words, the result might be a poem. Several years ago, when I was asked to say something on this topic, I came up with the notion that for me the making of poems is both a commemoration (a moment captured) and an evocation (the archaeologist manqué side of me digging into something buried and bringing it to light). But I also said that I find the processes that bring poems into being mysterious, and I wouldn't really wish to know them; the thread that links the first unwilled impulse to the object I acknowledge as the completed poem is a tenuous one, easily broken. If I knew the answers to these riddles, I would write more poems, and better ones. "Simple Poem" is as close as I can get to a credo':

Simple Poem

I shall make it simple so you understand.
Making it simple will make it clear for me.
When you have read it, take me by the hand
As children do, loving simplicity.

This is the simple poem I have made.
Tell me you understand. But when you do
Don't ask me in return if I have said
All that I meant, or whether it is true.