It's really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don't get in trouble.

In movement class, you had to lie on the floor and get your alignment in to pass the class.

That was always my inclination, to start on a new play before the other one gets done, because at least you'll have something to go back to if that play gets trashed.

Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.

Plays are so much more special if they've never ever had a production, but I think you can really work on a play and make it better with each production.

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.