It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.

When I got to the reading all the work, I was reduced to being an actor in an experimental play that I'd already written. And I didn't want to be an actor.

To understand somebody else as a human being, I think, is about as close to real forgiveness as one can get.

The goal with hostages is to gradually lower expectations; in nonhostage crises, it's to lower emotions.

Being a model, you're always the product of somebody else's vision.

Basic....

...

It's not easy to be in somebody else shoes.