It's always difficult to know if a song needs more than piano, and I worry about my tendency to go in a sparse direction.

With 'Philharmonics,' I had to do a lot of interviews, and it was like I was corrupting something. In many ways, I've said everything in the song. And either I can't go back to what it was because it's changing when I play it, or I still haven't figured out what the song is about.

The piano and the singing are two equal things to me - maybe not inseparable but very connected. You can say they are like two equal voices.

Everything that has a spare piano is 'like Satie' and everything with strings is 'filmic,' Sometimes I get annoyed when they say my stuff sounds 'like Satie'. No, it doesn't. At least, I don't think so.

When I was in bands, I always liked the demo best.

Sometimes I feel like a melody doesn't have anything to do with me, but it's just something that comes, is accumulated from me playing on the piano, and then this little creature just appears.