It wouldn't be so bad, you know? ... It's pretty snazzy.

It's like getting into film - I didn't say early on, 'I'm going to become a filmmaker,' 'I'm going to show my work at MoMA.' When you start to think those things, you're in trouble.

People might say 'oh its too dark and scary' for children but you could say that about 'Nightmare before Christmas' also. People say their dog even liked watching 'Nightmare Before Christmas'. So this is for animals, children, whoever.

I felt quite connected with Carlos before I met him.

It seemed right for this particular type of [stop-motion] animation. It's like casting; you want to marry the medium with the material.

With other people she can play humans. With me, it's completely non-human characters.