It was a catastrophe, of course. We had no clients, no nothing. Nobody understood the idea of doing reproductions.

Collectors say, 'I hate reproductions. It's awful. Why would anybody do that?,' ... That's what they say officially. But behind the scenes they use our copies. On the walls they have our copies. All their paintings are in vaults.

Nobody ever said no. You just didn't say no to Maria.

I would like the innuendo to stop. I'm quite confident they're going to find absolutely nothing (against his clients).

It's nothing like on TV, ... On the way down there we knew we had no idea what it was going to be like. I've been shot at before in life, and it wasn't as intense as what I saw.

There are some elements that are tonal and some are not. But nothing so far out you can't grasp it. It's appealing music.