It fell under the 'so bad it's good' category. Really incredible. Everyone was dancing. It was nuts.

The film has benefited greatly by the great quantity of rehearsals that all the actors gave, in fact insisted upon. Langella and I spent countless hours over three months exploring his character, and we needed every one of those hours, including the day before we shot the film. And when we started shooting Leonard Schiller walked in the door and Frank Langella was nowhere to be found.

If not for the juicer, we would never have seen INXS.

For that is the curious quality of the discotheque after you have gone there a long time: in the midst of all the lights, and music, the bodies, the dancing, the drugs, you are stiller than still within, and though you go through the motions of dancing you are thinking a thousand disparate things. You find yourself listening to the lyrics, and you wonder what these people around you are doing. They seemed crazed to you. You stand there on a floor moving your hips, wondering if there is such a thing as love, and conscious for the very first time that it is three-twenty-five and the night only half-over. You put the popper to your nostril, you put a hand out to lightly touch the sweaty, rigid stomach of the man dancing next to you, your own chest is streaming with sweat in that hot room, and you are thinking, as grave as a judge: What will I do with my life? What can any man do with his life? And you finally don’t know where to rest your eyes. You don’t know where to look, as you dance. You have been expelled from the communion of the saints.

I got started dancing because I knew it was one way to meet girls

Dancing in the Streets.