In the nineties, it was common to see people who expressed themselves through one designer - the Jil Sander woman, the Martin Margiela woman. You saw her on the street, and you knew who she was.

The Chanel woman? I don't even need to see; I smell her from round the corner.

I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.

You can instantly spot a Chanel woman, so I want to develop the Dior woman.

I'm a designer, and for me, things are always evolving, and such evolution is necessary.

Berlin is in a state of transition. There are lots of people who don't stay here. They pass through. They might not 'clean up,' but they mature. It is a city where people spend a significant time in their lives, and then they move on.