In social situations, when I'm surrounded by people, I become very shy. But if there's a camera in front of me, I feel free.

If my favourite director gives me a role that is very sparkly? A very brilliant character? I'll do it.

Korean cinema is very improvisational, and there is a unique power that stems from this.

It was extremely difficult to suppress my emotions, because my character in' A Girl at My Door' goes through so many infuriating situations. It was a lonely process having to portray someone that acts tough but is deeply hurting inside and is unable to express that.

I feel more comfortable in front of a camera than anywhere else.

I feel very free and very happy to be a composer.