In big games like this, it just seems to come down to special teams every time. We won last year's game against Marist on special teams [blocking two kicks], and we almost lost this year's game on special teams.

In big games like this, it just seems to come down to special teams every time, ... We won last year's game against Marist on special teams [blocking two kicks], and we almost lost this year's game on special teams.

I think it's the first and only time for me that we've been on a four games in four days trip. It's going to be a definite test for us. We'll take it one game at a time and see how we make out.

You know, it's not too different. Last year, I pitched in some Friday games. Friday, Saturday, Sunday -- it doesn't matter. All you have to do is just go out there and pitch.

This year, we'll see games based on musical acts that will be successful.

One thing that the mobile-games business has learned in the past year is that brands without good games behind them don't do the industry very good and they don't do very well commercially. There's a lot of risk around doing those sorts of games. For a music label it might be worth the risk. For a game company, it might be a little scary.