Immediately after the Floyd experience, I became a pop record producer.

In France, you can sell a lot, but nobody outside of France ever hears of it.

I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.

I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.

I started in a research lab for TV cameras, then I worked at a tape duplication facility. That was the first introduction for me to recorded music and hi-fi.

I decided I was going to be the first producer to have a manager. And those songs became the background of the first Project album.