If you have to ask that question, you wouldn't understand the answer.

When D's cabin caught fire, D was out of the country. Half the town-Christians and drinkers alike-came out to fight the fire and loot the cabin. There were individual piles of loot, and fights over the piles. "That's my pile." "The hell it is, it's mine.

It is part of wisdom never to revisit a wilderness, for the more golden the lily, the more certain that someone has gilded it.

... there's a silent voice in the wilderness that we hear only when no one else is around. When you go far, far beyond, out across the netherlands of the Known, the din of human static slowly fades away, over and out.

There is a love of wild nature in everybody, an ancient mother-love showing itself whether recognized or no, and however covered by cares and duties

In the same way that the picturesque designers were always careful to include some reminder of our mortality in their gardens -- a ruin, sometimes even a dead tree -- the act of leaving parts of the garden untended, and calling attention to its margins, seems to undermine any pretense to perfect power or wisdom on the part of the gardener. The margins of our gardens can be tropes too, but figures of irony rather than transcendence -- antidotes, in fact, to our hubris. It may be in the margins of our gardens that we can discover fresh ways to bring our aesthetics and our ethics about the land into some meaningful alignment.