I'd trade all my tomorrows for one single yesterday.

Her close friends have gathered.
Lord, ain't it a shame
Grieving together
Sharing the blame.
But when she was dying
Lord, we let her down.
There's no use cryin'
It can't help her now.

The party's all over
Drink up and go home.
It's too late to love her
And leave her alone.

Just say she was someone
Lord, so far from home
Whose life was so lonesome
She died all alone
Who dreamed pretty dreams
That never came true
Lord, why was she born
So black and blue?
Oh, why was she born
So black and blue?

Epitaph (Black And Blue)
Written by: Kris Kristofferson
Note: "Epitaph" is about Janis Joplin.

Every appearance is a song and every song is a memory.

I feel like sometimes, when I'm singing a song like 'Moment of Forever,' that it goes both to your significant other and to the audience, and was it wonderful for you, you know? I think the best love songs I've written work on that level, like 'Help Me Make It Through the Night.'

And so their memories took on potential, which is of course how our greatest nostalgias are born.

She could sense it very clearly: for me, no less than for her, the past counted far more than the present, remembering something far more than possessing it. Compared to memory, every possession can only ever seem disappointing, banal, inadequate ... She understood me so well! My anxiety that the present 'immediately' turned into the past so that I could love it and dream about it at leisure was just like hers, was identical. It was 'our' vice, this: to go forwards with our heads forever turned back.