I'm very empathic to the construction of masculinity within our culture and how we build these identities up.

I'm very interested in the language of photography in relationship to painting.

The reason I call myself a documentary photographer is the idea of how photographs contain and participate in history.

My dad was a very conservative Republican businessman, so obviously I considered it a problem when I realized I was a lesbian.

I always give a print to everybody I photograph, and some of my subjects have told me they have a hard time hanging them up at home.

Nature is a dream state at this point, that we almost don't have a real relationship to it unless it's people living off the land and killing our own food and going for it.