I wonder if they were aware of the power of complimentary alcohol during World War I.

Rats, the only creatures that seemed to flourish in the trenches, were quite brave and were often a foot long (not including the tail), the size of a small cat. They grew fat on the corpses in No Man’s Land and were known to bite sleeping soldiers’ faces and gather around the eating areas. The French left the rats alone. Like a canary in a coal mine, the rats were a warning that gas shells had been fired. At the slightest whiff of gas, the large rats flipped feet up, dead. The Americans hated them too much to leave them alone. They bludgeoned the rats with shovels and rifle butts or shot them with their side arms.

My centre is giving way, my right is in retreat, situation excellent. I attack.

If the ghost that haunts the towns of Ypres and Arras and Albert is the staturory British Tommy, slogging with rifle and pack through its ruined streets to this well-documented destiny ‘up the line’, then the ghost of Boulogne and Etaples and Rouen ought to be a girl. She’s called Elsie or Gladys or Dorothy, her ankles are swollen, her feet are aching, her hands reddened and rough. She has little money, no vote, and has almost forgotten what it feels like to be really warm. She sleeps in a tent. Unless she has told a diplomatic lie about her age, she is twenty-three. She is the daughter of a clergyman, a lawyer or a prosperous businessman, and has been privately educated and groomed to be a ‘lady’. She wears the unbecoming outdoor uniform of a VAD or an army nurse. She is on active service, and as much a part of the war as Tommy Atkins.

Was it for this the clay grew tall?

Now rather thank I God there is no riskOf gravers scoring it with florid screed.Let my inscription be this soldier's disc.Wear it, sweet friend. Inscribe no date nor deed.But may thy heart-beat kiss it, night and day,Until the name grow blurred and fade away.