I was in Paris for nine years, starting in '98. One of the great things when I was first there were these wonderful CD collections, selling for almost nothing. For ten euros, you'd get three CDs of all the Gershwin songs.

The 'Damsels' crew was low-budget, young people who were doing their first thing almost. A lot of it. It felt like Pied Piper or Rumpelstiltskin or whatever: it was me and people thirty years younger or more. But it was great; it was really fun.

If you're sort of interested in politics but sort of upset about contemporary politics, it's kind of wonderful to read about periods who were very eloquent and admirable - generally. People are articulating ideas you can sympathize with or understand both sides of. Or at least feel like one side is saying the right things.

I have known great things and wonderful persons, and I have known homage.

That's why I hate the outlines and treatments, because all you get are cliches. If you put things down on paper as your plan, it's very hard to get those ideas out of your head and do something better.

I like things that are sort of comic and humorous rather than satirical.