I want you to feel what I felt. I want you to know why story-truth is truer sometimes than happening-truth.

I suppose if we gain anything from this unsought experience it will be an appreciation for honesty- frankness on the part of our politicians, our friends, our loves, ourselves. No more liars in public places. (And the bed and the bar are, in their way, as public as the floor of Congress.)

…he wanted to sleep inside her lungs and breathe her blood and be smothered. He wanted her to be a virgin and not a virgin all at once. He wanted to know her. Intimate secrets: Why poetry? Why so sad? Why that grayness in her eyes? Why so alone? Not lonely, just alone - riding her bike across campus or sitting off by herself in the cafeteria - even dancing, she danced alone - and it was the aloneness that filled him with love. He remembered telling her that one evening. How she nodded and looked away. And how, later, when he kissed her, she received the kiss without returning it, her eyes wide open, not afraid, not a virgin’s eyes, just flat and uninvolved.

Do we choose sleep? Hell no and bullshit - we fall. We give ourselves over to possibility, to whim and fancy, to the bed, to the pillow, the tiny white tablet. And these choose for us.

But the thing about remembering is that you don't forget. You take your material where you find it, which is in your life, at the intersection of past and present. The memory-traffic feeds into a rotary up on your head, where it goes in circles for a while, then pretty soon imagination flows in and the traffic merges and shoots off down a thousand different streets. As a writer, all you can do is pick a street and go for the ride, putting things down as they come at you. That's the real obsession. All those stories.

A lie, sometimes, can be truer than the truth, which is why fiction gets written.