I want to tell a story and shape it all the way through to the end.

Every cinematographer I worked with had his own way of solving problems.

Facing it, always facing it, that's the way to get through. Face it.

With today's fast films, you can light the way your eye sees the scene. You can abuse the film and create subtleties in contrast with light and exposure, diffusion and filters. That's what makes it an art.

I just have to let the story go the way it needs to go and let them take the detours they want to take, and I'll get to the end.

I don't ever want to impose something on the story. I want the story to tell me.