I think that we've got a huge head start on things that are not easy to do: progressive streaming, to be able to stream in very high quality, even in an environment of highly variable bit rate, and to work on a big variety of devices seamlessly.

I think we can launch - successfully, high quality - around 20 original scripted shows a year, which means every 2 1/2 to three weeks you're launching a new season or a new show on Netflix meant to be for really diverse tastes all around the world.

Hollywood is a challenging place; it's very easy for people to lose their heads. Fortunately, I grew up on it and I think I have a little bit of a head start.

Funding and maintaining programs from Head Start to Pell Grants must be a high priority.

I collect LPs, but only if they're pretty high quality. I don't go back and dig through the bins.

I feel like if we can use the combination of basically data-driven hunches and bet on really first-class talent to deliver the shows, that I think we could do as well as the networks do, who basically have a 75 to 80 percent failure rate for new shows anyway - even after all that development and pilot work.