I think it's important for all culturally literate people to understand the technological substrate of new developments.

When I try to understand somebody, create a character, I fall into them. When I think writers are telling me what to think, I get harrumphy.

There's an explosion of Indian fiction of all kinds, from military thrillers to chicklit. I think that's exciting.

These days we're all hyper-aware of the canonical way in which stories are supposed to play out - people are taught all about three-act scripting and where to put the reversal and all of that - and I think we can do more interesting narratives.

I enjoy thinking myself into other times and places. I don't like some of the conventions of the 'historical novel', but I think there's a way of doing it that has a lot of merit.

There's nothing New York likes more than a thing. Or a place. Or a place that's a thing. Or a thing that happens to be a place.