I sit in front of the notebook and feel like it’s just too late for me. And that this book isn’t working, nothing’s working, everything feels like it’s made of spiders.

I remember Spider Woman from the first page of Leslie’s novel Ceremony. She is the Thought Woman who names things and so brings them into being. Until then, I had imagined myself alone in believing that spiders should be the totem of writers. Both go into a space alone and spin out of their own bodies a reality that has never existed before.

For those who have dwelt in depression's dark wood, and known its inexplicable agony, their return from the abyss is not unlike the ascent of the poet, trudging upward and upward out of hell's black depths and at last emerging into what he saw as "the shining world." There, whoever has been restored to health has almost always been restored to the capacity for serenity and joy, and this may be indemnity enough for having endured the despair beyond despair.

E quindi uscimmo a riveder le stelle.
And so we came forth, and once again beheld the stars.

My drawing, like that of most cartoonists, is intended first of all to be functional: to create believable space and communicate information. My strongest point in drawing has always been my ability to show characters' nonverbal communication through facial expression and posture.

What's gratifying for me and interesting is that people are picking up on exactly what I want them to, which is that this is energizing people, and making them want to make stories.

This fall I think you're riding for—it's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started.