I really wanted to work with Kate Mulgurew and Natasha Lyonne.

I didn't do 'Orange' because I knew it was good. I wanted to do this because it feels good. And I just knew that was the place I needed, wanted to be.

Poussey is a really huge part of 'Orange,' and I'm sure her name will always echo through the halls of Litchfield, dead or alive.

I remember when I got into Juilliard - which was just crazy to me, that I would be studying at a school like that - the choice to cut all my hair off was really symbolic for me.

It is television; we're making television at the end of the day. It's all smoke and mirrors, and it's all fake, but it's not, because it makes people really feel things that are real.

To be honest, whenever I go to shoots, or I'm on set, it really makes makeup special and allows me to have so much more fun with it - I don't wear it on an everyday basis, because I like my skin to breathe.