I realize that every picture isn't a work of art.

I saw Tequila Sunrise as a romantic picture with complex, bigger than life characters.

Every cinematographer I worked with had his own way of solving problems.

With today's fast films, you can light the way your eye sees the scene. You can abuse the film and create subtleties in contrast with light and exposure, diffusion and filters. That's what makes it an art.

I wanted to bring the hand craftsmanship back to making Canadian whisky. It's very much an art as far as craftsmanship is concerned.

There is a kind of beauty in imperfection.