I owe everything to 'Arrested Development.' It just shows that everybody is kind of a job away from having relevance again.

I was very surprised to get a reading for 'Arrested Development' because it really seemed to be the opposite of that which I was known for doing.

We had, like, the greatest time you could ever imagine doing 'Arrested Development.' And as grateful as we are for the careers we have afterwards, it was - we still miss it.

Television is much more of a producer's writer's medium, so a lot of the time, when you're directing a television show, they have a color palette on set or a visual style and dynamic that's already been predetermined, and you just kind of have to follow the rules.

Kids want you to take them to whatever kid movie is opening, and you just hope it's good because you're going to buy a ticket, no matter what. If it's no good, you kind of drape your arm over your kid so they don't get smashed, and you take a little nap.

It's not a sprinter's approach. It's more like a long-distance thing. You can stick around a lot longer if you kind of slow-play it.