I loved working with Bob Dylan.

I'm playing 10 feet from Mike Campbell every night. I look across the stage, there's Howie. Tom's in the middle and we're playing all this stuff I love. It's great.

I try to find little things that you can do to move the song along and things that serve the song.

I think we've always been better live.

I never liked the showboat guys who called attention to themselves, who turned the Leslie on and waved their hands up in the air.

I loved Mal Evans holding one note down on You Won't See Me from Rubber Soul.