I listen to the grinding whir of the clock, and the creaking of my listing bed, and the sound the phone doesn't make when it's shut off.

Noises Off

The old house had a thousand doors in it.

All old houses do. You can see them if you know how to look: the noontime shadow of a windowpane crawling with intent across a floor; unmeasured angles of wall meeting wall; fireplaces grown chill with unused years. Archways with unseen contours you can trace with a finger in the cracks as brick grinds against brick in settling walls. Some nights, and some houses are doorways entire, silhouettes against the evening's last light black on black like an opening into a darker sky. You just have to look. An eye-corner glance will do, if you don't turn and stare and explain it away.

He'd grown unused to woods like this. He'd become accustomed to the Northwest, evergreen and shaded dark. Here he was surrounded by soft leaves, not needles; leaves that carried their deaths secretly inside them, that already heard the whispers of Autumn. Roots and branches that knew things.

Fell?' he asked. 'Or was pushed?'

Anton shrugged again. 'It hardly makes a difference,' he said, 'when you are the man at the bottom of the stairs.

People earnestly say to me here, 'Mr Knight, we have cellphones now, and you're going to really enjoy them.' That's their enticement for me to rejoin society. 'You're going to love it,' they say. I have no desire. And what about a text message? Isn't that just using a telephone as a telegraph? We're going backwards.