I like working on things that are very different and that involve different disguises.

Actually I like working kind of fast, because if you got it, why bother doing it over and over?

It's a sort of anti-Broadway musical. It's odd, disjointed and spiky.

Nowadays people don't know how to handle it if all the ends aren't tied up and they're not told what to think in films. And if they're challenged, they think it's something wrong with the film.

It's really rare for film directors to be that interested in things other than themselves.

It is not hard to feel like an outsider. I think we have all felt like that at one time or another.