[I] learned that you don't start up a new computer-rendering studio during production,

We've grown up together, so there's no b------- in our relationship. We test each other, and provoke each other into trying new things.

We had a sort of five-year plan. Neil wanted to go off and do Hollywood, while I wanted to make little films in my barn, on my own, and not show them to anybody, and see how it went. And the idea was, I'd get a point of view, and he'd get some clout, and then we'd meet up in a few years and make a feature film. Which is pretty much how it worked.

The [computers] need at least three months to get to know each other before an animator goes anywhere near them, ... I learned that computers are as human as the rest of us. Our technical director named all the machines after different bands. The four Macs in the edit suite were named after the Beatles; fair enough, I was John. But then we needed a fifth so he named it Yoko, and they all stopped talking to each other.

Part of the joy and pleasure of English is its boundless creativity: I can describe a new machine as bicyclish, I can say that I'm vitamining myself to stave off a cold, I can complain that someone is the smilingest person I've ever seen, and I can decide, out of the blue, that 'fetch' is now the word I want to use to mean 'cool.'

It's difficult to choose a Word of the Year in the year that you're in. It's one of those things that hindsight makes more apparent. It's like looking at pictures from 10 years ago, and you notice the flannel and the ripped jeans. At the time, it didn't look to you like a real fashion trend.