I grew up with all kinds of people.

I grew up the son of an acting teacher, so I was kind of introduced to all of these various methods early... I've never been really good at articulating how, what that process is in the way that Stanislavsky could.

If you had asked me back in grade school what I wanted to be when I grew up, I would have said my first choice was an actor, but if I couldn't be that, I'd want to be a superhero.

You make movies for the people. If critics happen to like them too, well, that's a home run.

With age, you get to a place where you don't want to knock people out. You just want to give people a hug.

It was interesting to do a completely fictional piece. You know, Saving Private Ryan was not a fictional piece! So the challenge was: How do you incorporate real emotions? How do you incorporate aspects that people are going to be able to identify with?