I go to each job and open my little briefcase up, and I take out the things that I have or I know. It might be a Swiss army knife, a quart of milk and a ruler. That might be all I can bring to it, but that's what I have.

My job is the same if I'm making a new musical or making a play for sixty-five people or doing a live television broadcast. The job is to take care of the actor; the job is to create an environment where they can excel and try to access all their attributes.

I think that one of the beautiful things about theatre - and a place like 'Powerhouse' - is that who you are is informing your work. There's actually no separation from that.

I think Google should be like a Swiss Army knife: clean, simple, the tool you want to take everywhere.

It seems everyone knows the value of a cantaloupe or a quart of milk.

Fundamentally, one of the things I tend to migrate toward when I'm working is a story about people whose stories aren't told in theater.