I felt like it needed some color down there, so I painted the walls with the motherfucker.

Everyone lives in two worlds,” Maggie said, speaking in an absentminded sort of way while she studied her letters. “There’s the real world, with all its annoying facts and rules. In the real world, there are things that are true and things that aren’t. Mostly the real world s-s-s-suh-sucks. But everyone also lives in the world inside their own head. An inscape, a world of thought. In a world made of thought—in an inscape—every idea is a fact. Emotions are as real as gravity. Dreams are as powerful as history. Creative people, like writers, and Henry Rollins, spend a lot of their time hanging out in their thoughtworld. S-s-strong creatives, though, can use a knife to cut the stitches between the two worlds, can bring them together. Your bike. My tiles. Those are our knives.

Folks woke up today to a poisoned world, and some of them won't see any reason to hold back on doing the awful things they've always dreamed of.

The air was rank, and on my left, in a broad green meadow, arranged neatly in pairs, were dead lions and dead walruses and dead gazelles. It was like some horrible parade leading towards a cruel parody of Noah's ark, a ship for everything that was gone and never coming back, everything that would not be saved.

Fantasy was always only a reality waiting to be switched on.

But it turned out life was more like the kind of song the Stones wrote: you didn't get any satisfaction, you took one hit to the body after another, if you were a woman you were a bitch who belonged under someone's thumb, and if you wanted mother's little helper from your dear doctor you better have the silver, take it or leave it, and don't come crying for sympathy, that was just for the devil.