I don't think you necessarily identify and believe in the motifs of the character, but you have to want to play it and want to commit to the lines.

I think I am more attracted to characters with a subtext, whatever that is and they don't necessarily have to be virtuous, but they have to at least be human.

I think I am more attracted to characters with a subtext, whatever that is and they don't necessarily have to be virtuous, but they have to at least be human.

The sexiest part of the body is the eyes. That's what I believe.

There's something to play if there's conflict going on. Whatever that conflict is, that's where drama is; if the character is grappling with something you've got something to play, there's layers to it.

I think anybody who bets on horses and says they win is probably a liar.