I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.

I have been steadily exchanging a rock audience who were nervous about what they had just bought for a jazz audience who not only were happy with their purchase, but are increasingly coming again.

I don't really remember a whole lot of sex, drugs and rock n' roll, really.

I do remember the whole thing as being very argumentative, hot blooded... a permanent state of friction between Jon and Chris, Chris and me, me and Jon.

Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We're Gonna Make You a Star.

Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.