I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.

I don't want to name names, but the least I can say about rock and roll is that I'm suspicious.

I am only interested in bad taste if I can enjoy a gruesome tango or watch a movie that makes me cry.

The essayist has to follow a certain intellectual pattern. The novelist has the advantage of using fantasy, of being subjective.

My only fantasy about writing was that in my old days, after directing many masterpieces, I would write my memoirs.

I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.