I always consider Shakespeare like a huge room. I mean, you open the door, and you can go anywhere.

The door is now open for discussion. More studios will consider them (movie musicals), but it doesn't mean they are going to rush out and make those movies. But at least there's consideration.

I think people tend to live, whether they like it or not, influenced by what's next door to them.

I'm not always angry. In fact, I think I usually go out of my way to try to find roles that don't seem to be like me.

Shakespeare is rich and beautiful, and it can be an amazing experience to read and to watch and to work on.

In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.